TRANSCRIPTEASE - LIVING SCULPTURE
 

Detail of Reef, Day of instillation at Low Tide (Pre-Oysters), June 2007

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New York City's First Solar Powered Oyster Reef, a living art work  growing in the intertidal zone at  College Point, MCNEIL PARK, Queens NYC:

For the past year Artist Mara G. Haseltine has immersed herself in what she has described as “The Great New York Oyster Movement.” This cross-disciplinary project involves marine biologists, Environmental Scientists, Community  Activists, Oyster Farmers and Gardeners work to find the best solutions for restoring oyster beds which have historically graced New York’s Waterways in abundance. 

"My most current projects combine minute structures from the nano-world with environmental technology to create a series of living sculptures employing ‘biomimicry’. I am working in collaboration with a team of marine biologists to create a living eco-system of functional underwater sculptures"

Why OYSTERS?

The idea is to bring back Crassotrea Virginica to New York, which would create a natural filtration system that cleans the waters and simultaneously brings back biodiversity that has been missing in New York’s waters and estuaries since  the Industrial Revolution.

Oysters are the backbone of the benthic habitat and can act as  natural water Treatment plants. The average oyster filters 5-25 gallons of  "nutrient" rich water per day.  The restoration of 100 square miles of reef would  filter twenty seven billion tons of wastewater that flows into New  York's Waterways annually. The reef would not only be a haven for oysters but would quickly become a diverse habitat for aquatic life of all forms from gastropods to Stripped Bass.  

WHY ART and OYSTERS?

As an artist a Haseltine says she finds this project exciting because  the project is,  “An optimistic fusion between technology, science, art and environmental design. We are actually devising ways to improve upon nature and the way oyster reefs function in the wild while keeping the rich history of where oysters originated and they functioned in mind .  In an age where the public is constantly hearing about the devastating  effects of climate degradation an art project like this offers a  beacon of hope.  It is the first sculpture I have ever made that is  literally alive and is meant to morph and grow, I can not begin to  tell you how exciting this prospect is for me”

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