In June of 2007, Mara G. Haseltine created and installed her first oyster reef, a pilot project experiment in New York City, in McNeil Park on College Point, Queens NY. The project is the first of its kind in New York City using low volts of electricity from solar panels to produce the accretion of calcium carbonate conducive to oyster growth. The "Biorock" process was originally developed by Architect Wolf Hilbritz and is used worldwide for coral reef restoration  http://www.globalcoral.org. Haseltine collaborated on this project with marine biologists, Colombia University Graduate student Katlin Baird and engineering student Michael DiDonato.


"Biorock" accretion method

 

For this reef Haseltine's concept was to create a modular design in metal, using solar panels to send low volts of electricity to metal and thus causing mineral accretion to occur as calcium carbonate formed on the structures.  In the wild, oyster larvae typically settle on oyster shells which are composed of  to calcium carbonate or limestone.  With this experiment the calcium carbonate covered surfaces of the metal will in time become ideal settling spots for oyster larvae.


Computer Design

In keeping with her previous work Haseltine has peered into the microscopic realm to find the perfect shape for her structures and create a design inspired by the double helix in the act of transcription of RNA . Haseltine playfully dubbed the sculpture "TRANSCRIPTEASE"  as double-helix shapes unwind and seem to  dance around the pilings bringing both aesthetic beauty and optimal  functionality to the project. "TRANSCRIPTEASE" also doubles as a teaching  tool - the sculptures depict DNA in the act of replication, one  sculpture is a fully formed DNA helix, and the other depicts DNA in the act of unraveling into the two separate strands of messenger  RNA (mRNA).


DNA sculpture unraveling out of water at site

 

The vertical twisted forms are optimal for oyster beds because its vertical shape allows for water to flow freely thus allowing oysters to receive the maximum amount of nutrients and keeps them above the sediment at the bottom. Vertical structures with plenty of ventilation space where nutrients can reach the oysters have proven to be the best way to grow healthy oysters.  This design is actually an improvement on the typical oyster midden in which the oysters at the bottom are often smothered in sediment or covered by other oysters at the top of the pile so the ones on the bottom literally starve. To offset this problem, Haseltine created a design inspired by the double helix which allows for water to flow freely in order for the oysters to  receive the maximum amount of nutrients. Haseltine utilized the architecture of pre-existing wooden pilings as a structural  support to create vertical structures.

This is an environmentally sound and elegant use of the pilings, which cannot be removed as  they are considered hazardous waste and are found throughout the  coastline of New York's waterways.  The use of the pilings has the  advantage of more strength as well as saving space while still enjoying the advantages of re-creating a biodiverse habitat, which  would not interfere with Benthic or bottom dwelling fish.

Install at low tide Detail of sculpture with tagged oysters

 

In her quest to create the ultimate urban oyster reef she is currenlty conducting experiments with the:
Global Coral Reef Alliance: http://www.globalcoral.org
New York New Jersey BayKeeper:http://www.nynjbaykeeper.org/
The River Project :http://www.riverproject.org/
Gaia Institute:http://www.gaiainstituteny.org/